Music Concerts

Don’t know how to  promote  a concert? Well that’s could not unusual because there really is not one method you can use for each concert or event. Concert  promoters make a fortune doing this for a living so certainly you cannot expect my humble little price of the Web to be able to tell all, but I can offer some pointers and ideas.

I used to  promote  seminars, not really concert but when I advocate ed a companions performer get some publicity and promotion it seemed to work. I got some new tips from a book and they seemed to advocate to.

First – think about who your target fans is. What other gigs / gigs / events would they go to? all of us gave out flyers at other gigs in the area where other artists in the same musical style played. Hence our target fans was there and an simple target. One of the artists even announced our performance for us at the end of the  set.

Second – flyers. Okay, I should have made this the first point – I was just testing you!. Try to put them up / hand them out where your target fans will see them (take a hint from the first tip) and make sure you do not just litter the place and aren’t posting them anywhere illegal. Make sure they will stand out, so colour is nice, but expensive. You’ll be able to get a lot of more leaflets / flyers out there if you buy black and white. It may be an idea to go to the Regional college and see if you can get a graphic design student to design a leaflet for you in ex differ for free tickets.

Thirdly – get on the web. MySpace has a great music section, and it cannot hurt to  encourage  your concert here. may be link to a Youtube video of your band playing, or put clips from your final concert if you have a video of the event.

Fourthly – most Local/Regional papers have a what’s on  lead or parties page. Ensure you’ve a listing here which is ofttimes free. Is your performance newsworthy in any way? Try contacting the paper to see If they will do a write up. Are you playing for a charity or worthy event? Are there any unusual circumstances around the gig? On a slow news day the paper may just get your photo in the paper and give a small write up. Try getting a free mention on the radio as well.

Fifth – Alice Copper has been played in London. To  encourage  the show he had a extensive truck drive around with an advertising board on the back. The truck “happened” to break down right in the middle of London, and caused traffic jams that made the news. people in the UK saw a extensive picture of Alice Cooper right on there TV screen, and soon everybody knew Alice has been playing a concert in the UK. At this point, I don’t suggest you do this, but be creative. What about putting stickers promoting your gathering on coins, pasting flyers to your vehicle and leaving it parked in a busy car park where lots of people will see it. Try putting stickers on any mail you send out – you’d could be surprised how a lot of pairs of hands that mail goes through!

I think that is enough for know to wet your appetite. As a  last thought, think about your budget. It is  surprisingly simple to spend many resources promoting a concert if you do not know how. I’ve learned from some of my mistakes which is why I bought the book – I try to learn from other people’s mistakes these days.

If you really want to know how to  promote  a performance and get the full range of techniques I suggest taking a look at the book as well.

Underground independent rock or underground heavy metal shows are not prefer mainstream rock shows. Security isn’t paid to protect you, but to protect the club from you and to kick you out if you damage anything or act prefer you’re on drugs. If you want to enjoy the music, and it is some of the most important music in rock, you will want to follow some basic rules:

• Bring virtually nothing but your wallet and keys. If you get frisked by security, or someone else does something stupid, you do not want to be holding anything. Leave the drugs at home or get a hotel room nearby with your friends, and taxi over.

• Do not drink until you are obliterated. If you want to have a few beers, who’s going to complain? But know your limits. That fun stunt you thought wouldn’t make you look like a drunk idiot will make you look like a dangerous drunk idiot to security, or to the guy who decks you with a haymaker because you were being a drunk idiot.

• Mosh? Going into that p it is prefer signing a contract that states you’re not going to blame a person else for causing you bodily harm. It might also be a load of fun. The rules are: try to bounce other individuals off you, not hit them. Forgive others when a misplaced elbow makes chin contact. And finally, if a person falls, pick them up before they get trampled.

• Security guys are underpaid and are used to every excuse in the book. The time to make peace with them is before an incident starts. If two guys start fighting, back up and make it evident you’re not involved. Assuming that the guy next to you suddenly coughs cocaine all over the stage and begins barfing blood, do the same thing.

• I recommend showing up early to get a good parking space, and leaving nothing visible in the car at all. Homeless people occasionally take a shine to your old sweater if it’s a cold night out, or wonder if those fake Oakleys are real.

• Suppose something goes really wrong, and the cops show up. Even if you have a grudge or well-reasoned complaint against our law enforcement officers, now is not the time, when they are outnumbered and surrounded by a potential riot. Be polite, sit down quietly away from any incident locations, and get out as promptly as you can, because if might hem happens, they are going to start taking people out.

• Club individual nel are in this job because it’s a lifestyle, and don’t get paid much. It won’t kill you to be polite, but don’t be a chump. State your request, be friendly, and move on.

• The bathrooms may be a disaster before the show, but they’re a number of times a compost pond by halfway through. If something needs to happen in your excretory tract, make sure it happens before you arrive at the show.

• How to make a band happy: performers get paid the least for CDs and t-shirts you order On-line from a third gathering store, a little more for CDs and t-shirts you order from the label, still a bit more from t-shirts and CDs you buy at the club, and a little bit more for t-shirts and CDs you order from their Website. What makes them the most cash is when you find them following the show and buy the shirt or CD  from them there, because they don’t have to pay the club or label a cut.

Follow these standard instructions and you will be a productive and happy member of the audiences, and no harm will prefer ly come to you. contemplate it as a new form of etiquette for places where you can not expect standards to apply, but because they’re inherent to human behavior, they do.

Please accept the information below as a  persuade offer ing tips for publicizing a concert and  encourage  maximum attendance and success!

Some of the recommendations could not be appropriate for your type of concert. While some of the concepts can be evident, others can be new but worthy of a try.

I will cover the facets of flyer/poster concert promotion and several pointers for media promotion. first ly, the single the majority important thing when you want to  promote  a concert is to start delegating duties and make sure help ers know what’s expected of them.

So let’s start!

Flyers and Posters – It is important to have a well designed, eye-catching flyer or poster. It will show individuals that the performance deserves their anticipation, time and money. The  performer’s  management may offer you with some flyers or posters to start with.

If you prefer to produce your own flyer or poster, you should find a graphics professional or pronting company willing to donate services in ex change for advertising.

If it’s the 1st time the artist is coming to your town or city be sure to include a testimonial on the flyer or poster. A flyer that simple advertises an artist or a band will mean virtually nothing to an individual who has never heard of them!

Assign volunteers to post the flyers in places like ly to attract the the majority attention. Try grocery stores, Local/Regional chamber of Commerce offices, Art Councils or other communities, malls, shoping plazas, music stores, book stores, galleries and other popular gathering spots where flyers are displayed routinely but be sure to ask for permission before posting.

Do not forget to post the flyers or posters to the performance location itself! Try to hang posters as close to the average eye level as possible.

[Media and other sources of publicity] List the concert in community calendars, Newspaper, Magazines or radio and TV stations if possible. Radio and TV stations can be willing to anounce parties for free.

Be sure to notice them many weeks in advance. In the listing include the date of the concert, time, location, ticket price, ticket outlets, sponsors of course and phone numbers for information.

Ask promotional material from the  artist’s  managements prefer interviews, video clips, song samples, photographs etc. Try to deliver the material to the media along with the news release anouncing the performance.

Make sure you follow up by phone. Ask from the management to arrange an interview with the artist(s) if possible. Discuss other possibilities.

offer  musician’s  promo material (if available) to radio stations prefer ly to air it.  promote  them to play it oftentimes specifically a week or two before the concert. Have volunteers and companions telephone the stations and request more!

If you are using an answering machine make a recording using sound clips from the artist. Advertise the phone numbers available to call in newspapaer or on the radio. Include a short message in the recordings detailing concert info.

When you’re Internet, subscribe to any music-related newsgroups or bulletin boards. Post messages about your anticipation, plans and later, show specific information! Of course if you own a website, think about creating a special area to advertise the performance with a hot-link to the  performer’s  home page (if any).

Ask from the media to co-sponsor (sharing in work or re Venues) or to endorse the concert for publicity purposes. If they say ‘YES’ then make sure you include a ‘..co-sponsored by..’ message in the flyers and other promotional material.

Have you ever seen a performer, singer, musician, or favorite sports get together on TV and you just really enjoyed it? Heard an artist on the radio, and you were wanting to hear more? I was that way when I 1st heard Jennifer Nettles the band Sugarland. Jennifer’s commanding voice and the vibe of the music and band just clicked with me.

It seems that everybody has a favorite singer, artist, sports team, or performer that they really enjoy. When the time comes that you want to see an gathering where they are playing or performing live, where do you go to get tickets? Well, these days, it is so simple to get things Online, that it doesn’t make a whole lot of sense to travel to a box office far from your home, to try and get tickets for an event. It’s much, much easier to turn on a PC, get on the Web, and find ticket suppliers that carry tickets for the gathering you want to attend. It might be cheaper too, with the price of gas these days!

Of course as with so many other things Online, there are many scam artists out there, and plenty of Online ticket dealers that might not be exactly what they seem. It is important to know the ones to deal with, and the ones to avoid.

I’m an avid concert goer, and have seen many, many live gigs over the years. I’ve even performed myself as a singer and performer in many concert s. It would pain me to know that some unscrupulous ticket dealer cheated individuals trying to buy tickets to a concert of mine. Consequently, I’ve done the research over the years, and found what I consider to be the Top 3 Internet ticket sources.

What you’re looking for when considering purchasing concert or get together tickets Internet is really what I call the “Big 5 Reasons to Use a Particular Internet Concert or Ticket get together Supplier.”

1. Security – Their web site has a capture ordering process (No ID theft worries.)

2. Pricing – Their prices are competitive and the service offers a good benefit.

3. Selection – They have a large selection of tickets for all sorts of parties with amazing seats.

4. Reliability – They have a track record showing exceptional customer service. You may trust them.

5. Navigation – Their website is simply accessible, easy to use, and the ordering process is intuitive.

In my opinion, there are three web site sources for performance and party tickets in specific that go above and beyond the call. The sources are TicketsNext, PurchaseTix, and RazorGator. I have assembled even more info while searching for Sugarland performance tickets, that applies to everybody searching for Internet tickets to any performance or major event.

• To see more information on the top 3, feel free to go to:

• Sugarland Concert Ticket Source Review

Are you tired of missing out on tickets for your preferred band? If you’re prefer most listeners, you have been forced to purchase high-priced tickets on eBay or from Web ticket brokers because the concert you wanted to see sold out before you could get tickets.

Take heart! That is all about to differ. I am going to let you in on some information that could literally take you to the front of the line the next time you want to buy performance tickets!

But before I do, I need to make sure we are alone.

Why all the secrecy you ask?

It’s easy. I am about to divulge the substantially same information that the ticket sellers on eBay use to buy their performance and sports tickets for face value all over the country. I am about to tell you little-known information that will take you from customer to competitor. In short, I would be in meaningful trouble If they found out I was practically giving away the store.

Think about it this way. If you had a hidden gravy inform that let you purchase tickets for as little as $35 each and then sell them later for 200-300  percent profit, wouldn’t you be pretty ticked off if an individual related the whole world about it?

And how do I know about this valuable information?

Easy, I’ve been using it to buy and sell performance and sports tickets for everything from WWE wrestling shows to Kenny Chesney to Beck to U2. This proven information has been refined and developed over the years to make individuals many money. I know it could do the same thing for you, too.

While this can all sound like typical marketing hype, I can assure you it’s absolutely true. Concert  promoters, radio stations, fan club s, booster club s, and other groups sponsor ticket presales or special promotions for their members. These sales typically occur Online a few days or weeks before the tickets go on sale to the general public.

These special advance ticket sales are provide ed as either an incentive to join in the case of a fan venue or radio station mailing list, or as a perk for a loyal group of listeners like season ticket holders of an NFL team.

Passwords can be distributed by the Venue, artist, team, fan venue,  promoter, radio station, etc. Whoever is sponsoring the presale will handle the distribution of it. During the presale, a portion of tickets is made available to this pick group of people so they may purchase tickets before anybody else has a occasion. As you may see, this gives them a very big advantage over the general public. Indeed, the group sponsoring the presale only wants members of the intended group to purchase tickets during the presale. So in an resolution to limit the presale, these special sales are, in essence, password protected.

In the past, virtually all presale passwords were a simple word, and everyone who knew this word could purchase tickets. These were thought to be generic passwords.Recently, in an effort to further limit who could use presale passwords, some groups have begin to utilize unique passwords. A unique password, as the name implies, is specific to each buyer, and could not be used for multiple purchases. Once the password has been used to purchase tickets, it’s no longer valid. Unique passwords are used regularly by sports teams for season-ticket holder presales or by fan venues of the more popular musical groups and performers. Due to the additional specifications necessary for unique ticket presales, the majority of the passwords you find on the Internet are generic passwords, but you need to be aware of the type of password you receive.

Generic passwords are considerably regularly used during radio station presales or presales sponsored by performance  promoters or Venues. Traditionally the majority passwords have been generic, but more and more musicians are employing unique passwords to thwart ticket scalping. Keep this in mind on your quest for a password. I would hate for you to think the password you scored for your favorite band was generic when in fact it was unique.Here are several things to keep in mind.

• Presales are regularly sold from a specified block of seats or a certain price level.

• an event can have more than one presale with its own password selling tickets from the same or diverse ticket pools.

• The tickets available during the presale won’t necessarily be the same sections that will be available during the general sale to the public.

• Presales provide the advantage of exclusive purchasing links which often determinations in less individuals competing for the pool of available seats.

• Presales could have limited seating available in various areas. Since presales are intended as advance purchasing opportunities, they do not always offer access to better seats. In fact, it’s possible that better tickets can be available when the tickets go on sale to the general public, but there will furthermore be more competition for those tickets.

• Presales ofttimes have stringent purchase limits that restrict purchasers to 4 or fewer tickets each.

• Presales can be restricted to “will call” only.

• Presales can require you to purchase with a certain credit card or other form of payment, ex American Express.

• A presale might require an additional cost to join the bands fan club.

Hopefully I have shown you the worth of presale passwords and how they could help you score tickets to your favorite band. With this information, and a little time and resolution you, like me, could skip to the head of the line the next time you want to buy concert tickets.

Stay tuned for part two of this  guide to learn more specific suggestions for locating and using presale passwords. Until then, I willbe seeing you on the “inside!”

Concert  promoters may effortlessly be thought of as major event planners. Every detail of the performance has to go off in the absence of a hitch and that responsibility lies solely with the  promoter. Concert promotion is a demanding career that requires serious attention to detail. In order to be an effective and successful performance  promoter, a high level of organization is necessary. Losing track of necessary contact names, dates, telephone numbers or Venue information may prove disastrous.

The world of concert promotions is full of contracts, legal agreements, insurance policies and riders. In order to make the best business decisions, a concert  promoter has to have a working knowledge of all of these legal documents. Not understanding parts of a contract or rider could lead to confusion and difficult ies down the road.

Concert  promoters could make a huge amount of resources, and then, they could lose resources as well. Most people don’t realize that quite usually, performance  promoters actually use their personal resources to fund a performance event. All of the party costs are his or her responsibility up front. Once the tickets have been sold, the band gets their cut and the bills get paid. It’s only then that the  promoter gets what’s left. For this reason, it is of the ut most importance to get as many paying customers in the door as possible.

Some of the major expenses involved with concert promotion are the Venue rental and event insurance. The  promoter contacts the Venue and works out a cost for the duration of the event. Some Venues will require up-front payment while others could require a down payment with the remainder due at the end of the concert. Insurance is absolutely vital and helps to protect the Venue owners, concert  promoter and performer from possible litigation.

In addition,  the performance  promoter bears the fee of all advertising promotions and other marketing expenses.  promoters these days have a variety of choices for marketing. They may use the Web, radio, TV and even flyers to get the word out about their event. Marketing, when done properly, generally takes up a fairly substantial portion of the performance  promoters budget.

A successful concert  promoter understands how to advertise to get the most people to buy tickets for the show. They’ve got to have a nice sense of the performer that they are promoting as well as their listeners. Whether a concert attracts a immense listeners or a small one depends on how well the party was  promote d, plain and easy. Concert  promoters really have one objective; to make sure that enough tickets sell to make a profit. Ideally, all the tickets will sell for every night or day the party will run, but that is not guaranteed.

The location, size and even layout of a Club has to be taken into consideration by the performance  promoter. In order to put on a exceptional rock performance, everything has to be just right. Everything must be considered, from band dressing rooms to the house sound system and lighting. Pleasing the band is only part of the story though. The fans has to be taken care of as well, both inside and outside the Club. Things prefer security, parking and even restroom facilities all fall under the performance  promoters watchful eye.

At some concert s, the concert  promoter will have to pitch in and advocate in other ways. Concert  promoters are a lot of the time responsible for making sure things are ready for the band. This can include  set ting up the stage, doing sound-checks and lighting a DJ ustments. Quite a lot of the time it also means they will have to decorate the Club to suit the concert.

At smaller events, the performance  promoter is again and again responsible for collecting tickets or working the merchandise table. At certain types of events, they may even have the task of checking ID’s at the door the day of the event.  promoters are again and again likewise responsible for advocate ing to break down the stage used by the band. Clean-up following the performance may likewise be the  promoters job, depending on the negotiated contract.

Being a concert promoter can be inspiring, rewarding and risky, but it’s value it. Concert  promoters have excellent jobs because they work directly with the artists. Besides that and the fact that the income can be excellent, remember, they’ve got some of the perfect seats in the house at every show.

In this day and age, a country music artist who does not have their personal Website is missing a important business tool. A Website offers information about you, a way to sell your compact discs and merchandise, a way to connect with your listeners, and a way to connect with potential business partners. When designed properly, a Website makes you look like a pro and is an amazing tool in stimulate ing you achieve your goals. When designed badly, the web site might be driving away potential listeners and business opportunities.

I research every artist that goes into my Website, the International Country Music Database, so I have been to a lot of country music artist websites over the last few years. Some have been exceptionally well-developed while others have been, to be honest, nightmares.

Indecipherable navigation, slow-loading graphics, and lack of contact information make it extremely c club enging to get the information I need. Because I need the information, I try harder than the average surfer to figure out a website. Many individuals could just leave, never to return.

The goal of your web site should be to provide your visitors with what they’re looking for. You want them to invest time on your web site because they have found the information they are looking for and find it useful, not because they cannot find it.

In order to attract visitors to and keep visitors on your web site, you need the following:

• A professional look – I’m not saying this has to be boring or designed by a high-priced expert. What I’m saying is that it can’t look prefer you just threw it together in a day. also, avoid cutesy animations and graphics. You want the website to express who you are, but you also want it to indicate you’re a pro (even if you’re just starting out!).

• Easy /intuitive navigation – If I can’t figure out how to get to other pages on your web site, how will I learn more about you?

• Clean design – Make it easy for me to read the text that you’ve on your website. Use colors that contrast well (black on white, for example). If I want to know about you, I need to be able to read what has been written!

• Simple access to the information I am looking for – This ties in with navigation, but is likewise about what information you include on your website. What are your fans or potential business partners looking to get from your website? That ought to drive what information goes on your website.

The above points are beginning basics for creating a professional country music Website. Do not forget, you want to look like a pro and let people know you’re significant about your career. For more pointers on how to create your website, see the next article in this series, Optimize Your Country Music Website : Part 2 – What to Include.

Music, prefer speech, must be recognised as one of the vital elements of humanity. It is impossible to conceive the existence of a race of individuals unpossessed of at least some rudimentary form of music, and certainly no such race has yet been found. Wherever explorers have ventured, they have invariably found a more or less definite national music esteemed and cultivated. In the remotest corners of the world, among the Indian tribes of the Americas, the the majority barbarous of the African tribes, the least known individualss of the far East, anytime travel and exploration have opened up the recesses of a strange land, it has been found that music existed there, and oftentimes in a curiously forward state of development compared with the useful arts of life.

Of the beginning of music we know no more than we do of the beginning of speech. The most primitive nations have each and all their own national music, just as they have each their own national form of speech. Music is thus an immemorial thing; for the sculptures of Nineveh, and the sculptures and paintings of the ancient Egyptians, the oldest records of life and manners extant, represent artists and musical instruments in such a way as leads one to the conclusion that, even in the period to which these carvings and paintings belong, music had already traveled a long way on the path of development. What the music from which the comparatively finished art of the Assyrians and Egyptians was evolved was like, we may perhaps be optimum able to judge from a brief survey of the music of numerous uncivilised nations as existing at the present day.

All the world over, the music of the more primitive of the uncivilised races can be said to move on parallel lines, and it is only as tribes and nations rise somewhat in the scale of nature that their music starts to display any marked degree of varying iation. Down on what may be called the bed-rock of humanity they’re all pretty much a like, and in the national music of the most widely removed races the same phenomena present themselves with but trifling modification. Singing or any type of vocal sounds is common everywhere on planet earth. The primitive human being gives expression to the primary feelings and passions by means of the voice or speech as a matter of instinct, just as is done by the brute creation.

The 1st step in advance is taken when the savage becomes conscious, as it were, for the 1st time, of the sounds which are born of certain circumstances, and resolutions to reproduce these sounds irrespective of the feelings from which they arise. This is the 1st recognition of sound that has any meaning; and from it to early stages of the rhythmical narrative, and to the song, is no inconceivable transition. With the sense of rhythm, which was the majority probably evolved from simply walking, footsteps themselves are rhythmic, whether in walking or in dancing, it is as natural to early man as to walk-comes the 1st hint of a musical instrument; for, with all races, musical instruments must have been rhythmic 1st, and evolved to be melodic when a higher standard of life has been reached.

A year ago, I wrote a passionate article on the merits of charging $15 when you sell your CD s. Some of my reasonings included: It’s tough for independent musicians and you’ve a wonderful music, so don’t short- differ yourself; you might always discount the CD  for special reasons (2-for-1 special); and, the “high” sales prices additionally includes your various costs. I made a few addendums, but that’s the gist of it.

But now, if you head over to http://mp3.com/thebards and check out the Brobdingnagian Bards page at MP3.com, you’ll notice something kinda hypocritical…none of our CDs are priced at $15! What gives??

Well 1st let me say, yes, I do still believe in a $15.00 sales price for many musicians. Certainly, it works perfect for folk musicians, and singer/songwriter categories. But my reason is not hypocrisy it’s a dramatic vary in our marketing plan.

You see, when we started out, I knew that the only “real” income available to indie performers comes from CD  sales and merchandising since royalties from ASCAP and BMI are a joke. So our plan has been to record every six months or less and put out new material. By then end of last summer the indie process has been leaving us drained, and we were thinking we overextended. Then along comes MP3.com.

One of the things I have been raving about for the past few months is that MP3.com offers a new marketing model by offer ing “royalties” for listens to your music. And if you’re getting paid from people listening to your music. Then it needs to be efficiently available right?

Well, we’ve followed the footsteps of many of the top MP3.com artists and have about 40-50 tracks available on our website and more are coming every week. In doing so, all of us make a solid $20 a day from our website.

Now with each listen, the songs are tracked on MP3.com on their music charts. You sell a CD, the songs on that CD  will rocket up the charts. So you want the CDs to sell, because higher charting equals higher payback. As a result, our low price on MP3.com.

Now think for a second. If you’ve 40 songs on your web site prefer the Hillbilly Hellcats, you’re most prefer ly going to make your 15 unique listens because your songs are located all over the charts. There are plenty of songs to pick from. Therefore the new marketing model no longer relies on compact disc  sales of $15.00, but listens. When you realize that you open yourself up to a whole slew of, in my opinion, simple marketing tactics that will make you more resources from listens than selling compact discs from your web site.

I understand this all seems simplistic, but the vast reality is the majority artists on MP3.com are still running their performer with an older marketing model that doesn’t yield the highest payback. So think about that for a bit, and next week, I’ve a guest writer who will give you an interesting promotional idea that might send your listens over the top. Then the week following that, I am going to betray my secret that has my song “Tolkien” at #35 on all MP3.com…

Stay tuned. Same bard time. Same bard channel!

When it comes to finding new music, the Web is a virtual treasure trove, with a ostensibly limitless supply of new and established musicians, hidden gems and struggling and fledgling musicians that are on the cusp of stardom. Here are some exceptional legal sources to endorse you find more music to add to your collection:

Pandora.com – Technically, Pandora is a free Internet radio website, but look a little deeper and you will find much more than that. From the primary page, you will be asked to type in your preferred music artist. Then a radio playlist is generated that includes your preferred performer as well as similar artists that Pandora believes you would prefer. They select similar artists by matching up the rhythm, lyrics, harmonies, melodies and just about every other aspect of your preferred  musician’s  tunes and then selects more artists and tunes based on that analysis. The result is a  surprisingly customized playlist that prefer ly includes a lot of artists that you haven’t heard of, yet will  surprisingly prefer ly be of interest to you. Pandora continues to refine the playlist even as you’re listening to your customized radio station, by letting you give a thumbs up or thumbs down to each song. If you’re looking for new music, Pandora is a excellent place to start.

Last.fm – Last.fm is like a social version of Pandora. You start by downloading the player, it will then scan your computer for music you already have, then create a personal ized radio playlist from that. You can also discover new musicians through your friends and get even more music recommendations.

MySpace.com – MySpace is exceptional for discovering independent musicians.  Many independent musicians start out by promoting themselves on a customized music MySpace page. musicians are allowed to add up to 4 songs for visitors of their profile to listen to and might additionally add additional links to songs or embed videos right into the profile. You might find new music and musicians by surfing from profile to profile clicking on interesting friends of the musicians.  Many musicians on MySpace are networked to help  encourage  each other, so this works exceptional for them and for you.

MusicMatch.com – MusicMatch offers a  profoundly wonderful music player for your computer, but they also offer something called the MMGuide. Where you simply type in the name of your favorite musician and MusicMatch will give you recommendations based on the listening habits of their entire music community.

RadioBlogClub.com – RadioBlogClub is a service that allows bloggers and webmasters to add a customized radio playlist to their website s. Simply type in the name of an musician or a song title and you will get a list of playlists that include those songs. The trick here is that these playlists rarely just include one artist, but once you are done listening to the particular song or musician you requested, more music from that blog will play, and it’s ofttimes quite similar in taste. It’s a wonderful way to hear new musicians, especially foreign musicians including Asian and Indian.

There you’ve some of the optimum ways to discover new music On-line, in a completely free and legal way. Enjoy!