Effective Performer Rehearsal
Posted by Music Concerts | Posted in Music Concerts | Posted on 03-08-2009
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If your band is in rehearsals, either getting ready for gigging, or practising new songs to add to your repertoire, the opening s are you’ll have to hire a rehearsal room. The expenses of employing a room might soon mount up if you don’t organize your time effectively. You might be was ting time and resources going around in circles, with a increasing frustration that your band does not seem to be making any progress.
The answer is to set a Schedule for your rehearsals. without a schedule it is difficult to monitor progress if in fact any is made. Disorganized rehearsals might soon turn into chaos, with anybody at all throwing in tips and playing divergent things at the same time. The rehearsal isn’t the time for your guitarist to hone his right hand tapping skills, or your drummer to optimum his lightning fast paradiddles, it is valuable time for working together as a band, and ought to be used as such. performer members ought to have their own private schedules for practising instruments and learning new techniques. During a rehearsal you ought to all be working towards the same goal and making each other sound as good as possible. The rehearsal ought to never turn into a ‘who might performance the loudest’ competition.
What should your schedule consist of?
Set goals for your rehearsal times and WRITE THEM DOWN! You should know which songs you are going to rehearse in advance. If you’ve planned your strategy, you’ll avoid getting stuck in a rut and your time will be used constructively. songs you already know may be perfected and the little nuances worked on, stamping your own identity on cover songs and putting the finishing touches to originals.
You ought to make a list of ‘finished’ tunes, ‘work in progress’ tunes, and ‘new ideas’. As each one progresses, move it up into the next category, thereby revising the schedule for your next rehearsal.
I would suggest starting with 2 or 3 tunes you are happy and comfortable with, simply to give the band a positive vibe to build on, and then start work on new numbers. session aside a certain amount of time for each song, and then move on! Don’t has been te time trying to optimum something that just isn’t working, you might come back to it later or at the next rehearsal. optimum the numbers that do work, and you’ll see positive results as your repertoire builds up considerably.
Always take regular breaks. Coming back to a number that has been n’t going too well with fresh ears may ofttimes be all it needs to make a distinct improvement. If that does not endorse, there’s no point in flogging a dead horse, so move it to the bottom of the list or consider dropping the song altogether and concentrating on another one.
Work on band dynamics and expression, i.e. fast, slow, loud, and quiet. Get your fills as tight and as fluent as possible. What you are working on is that elusive ‘feel’ that’s the venue mark of a wonderful band. Everybody should not only be playing his/her own instrument, but also actively listening to the rest of the band.
Tape your rehearsal. You don’t need any fancy recording equipment – a simple tape deck and mic will be sufficient. The idea is simply for the band to be able to listen to their resolutions after wards. Listening to a song while you are not playing means you might listen more subjectively and discuss the merits. Take notes while you listen, that way you are already forming the schedule for the next rehearsal.
And finally, remember ; you are in a band! As such, the sum of the parts should be greater than the individual contribution.

