Music Concerts

Music publicity success comes down to knowing how to work with music editors in your desired newspaper or magazine. No matter how nice your songs are, or how electric your live show is, you won’t get publicity for your music unless you know how to give a music editor what he or she needs to  encourage  you properly.
After surveying a roundtable of music editors and other music publicity experts, I learned what separates the well-known bands from the obscure ones. Below are secret press suggestions you could use to get better publicity for your music:
Plan Ahead. Give media outlets enough lead time to make room for your story. Newspapers and regional magazines need to have your press release and promo package at least three weeks before your gig. National print magazines need your info two to three months ahead.
Do Your Homework. If you’re a pop artist, do not send your press kit to a country music editor. Regardless of how wonderful your songs are, you’re has been ting her time and yours. If you want to send your press kit to a national or regional paper, find out beforehand Assuming that the y review unsigned and independent bands.
Be Patient. You could have to call more than twice before you’re able to reach a music editor on the phone. Try calling different times of the day. Leaving many phone messages ought to be avoided.
Keep a Contact Log. When you’re approaching more than one media outlet for a music publicity campaign, it is not easy to keep your information straight by using memory alone (or scraps of paper). Keep a chart or database with editor names, dates contacted, and other info so you could keep track.
When They Answer. Before delivering your telephone pitch to a music editor, ask Assuming that the y are on a deadline. This shows that you’re professional and respect their time. Assuming that the music editor states yes, ask for a better time to call. If you ignore their deadline schedule, the editor won’t be able to give full attention to your pitch, and you run the risk of annoying the editor and blowing your music publicity opportunities with that media outlet.
Rehearse Your Pitch. Know what you’re going to say before you dial the phone number. Practice your story a few times so you’ll be able to deliver your pitch in a brief and succinct way. Speak slowly and obvious ly enough so that you’re understood.
Follow Up. Confirm receipt of your promo package. If you’re asked to resend any materials that went missing, send right away without complaint. Ask Assuming that the music editor would prefer to be added to the guest list, or if he or she would prefer to send music writers in his or her place. Assuming that the y do want guest passes to your show, make sure that those names are on the venue guest list.
Getting music publicity could seem c club enging at 1st, but mastering these press suggestions will lead to more exposure for you and your music.